In Italian, Accorda means “to harmonize” - our name emphasizes our practice of drawing from disciplines across the artistic spectrum to develop collections that are dynamic, thoughtful, and precise. 

The relationship between bodies, clothing, and setting is explored each season in collections-as-vignettes. Each collection considers a commonplace moment as a complete scene, investigating the labyrinthine reality of the would-be mundane.

Palais de Tokyo, Paris

El Anatsui, detail

Cecily Brown, detail

Diana Ross, 1979

The Ecstasy of Saint Teresa, Bernini

Senga Nengudi, 1977

Teatro Reggio, Torino

Carmen de Lavallade, 1964

Kara Walker, detail