In Italian, Accorda means “to harmonize” - our name emphasizes our practice of drawing from disciplines across the artistic spectrum to develop collections that are dynamic, thoughtful, and precise.
The relationship between bodies, clothing, and setting is explored each season in collections-as-vignettes. Each collection considers a commonplace moment as a complete scene, investigating the labyrinthine reality of the would-be mundane.
Palais de Tokyo, Paris
El Anatsui, detail
Cecily Brown, detail
Diana Ross, 1979
The Ecstasy of Saint Teresa, Bernini
Senga Nengudi, 1977
Teatro Reggio, Torino
Carmen de Lavallade, 1964
Kara Walker, detail